Literary Fragrances
Alcott, Louisa May (1832-1888) - earthy floral notes of fresh clover bended with invigorating, crisp, clean apple. Little Women, Little Men...
Austen, Jane (1775-1817) - lavender bouquet infused with soothing clary sage, patchouli and rosemary. Sense and Sensibility, Pride and Prejudice, Emma...
Brontë, Charlotte (1816-1855) - blends of juniper and forest greens combined with jasmine, green apple and musk. Jane Eyre
Brontë, Emily (1818-1848) - fusion of citrus including orange and grapefruit along with cherry blossom, hydrangea, apple, peach, and a hint of blonde wood. Wuthering Heights
Carroll, Lewis (1832-1898) - blend of green tea, cucumber, and melon with rich florals and musk and cedar wood base notes. Alice’s Adventure’s in Wonderland, Through the Looking-Glass, “Jabberwocky”...
Dickens, Charles (1812-1870) - rosemary mixed with natural cedar wood, eucalyptus, patchouli, and thyme. Bleak House, A Christmas Carol, Great Expectations...
Dickinson, Emily (1830-1886) - sweet yet herbal white tea infused with bergamot, lavender, mandarin, thyme and ylang ylang. “Hope is the thing with feathers,” “Because I could not stop for death,” “A narrow fellow in the grass”...
Poe, Edgar Allan (1809-1849) - rich woody and musk base notes of oak moss fused with amber, sage, lavender, and orange. “The Tell-Tale Heart,” “Fall of the House of Usher,” “The Raven”...
Shakespeare, William (1564-1616) - fresh fig with notes of green apple, strawberry, and melon combined with hints of rose wood and oak moss. The Tragedy of Macbeth, The Tragedy of Romeo and Juliet, Much Ado About Nothing...
Twain, Mark (1835-1910) - honeyed, floral top notes blended with lemon zest and accords of earthy basil. Huckleberry Finn, Tom Sawyer, Pudd’nhead Wilson...